“Little Women” is a widely-known story about the March sisters, Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh), and Beth (Eliza Scanlen). The sisters are all very different from each other, each one of them having their own talents and flaws. The story centers around the sisters and their growing up. Director Greta Gerwig was not afraid to put her own vision on the famous story, jumping through time in a non-linear fashion, something the previous adaptations did not do.
One day, the sisters meet Laurie (Timothee Chalamet), and an incredible friendship is born. Laurie is close with the whole March family but has a special bond with Jo. Chalamet’s performance in the scene where Laurie finally professes his love for Jo is breathtaking.
The true shining star of this film, though, is Florence Pugh. Amy March is well-known for being the least endearing of the March sisters. She is blunt, rash, and selfish. However, Pugh’s performance somehow brings a different shade to Amy than what audiences have seen before. One spectacular moment is her monologue to Laurie concerning how marriage is not about love, but rather, and economic endeavor, really lets Pugh shine.
The whole film feels like what growing up in the March home probably felt like: chaotic, dramatic, heart wrenching, yet warm and inviting at the same time. Gerwig’s adaptation manages to capture that feeling of sisterhood in a way that the previous adaptations had not. Gerwig also sprinkles in some modern touches, like more modern dance moves and a few slang terms here and there.
Many people were probably expecting another stuffy movie about women pursuing marriage partners in the old days. What they get from Gerwig and company pushes beyond that into an enjoyable, heartbreaking, and fulfilling experience. Not to mention, Gerwig’s tweak on the story’s ending is a fabulous interpretation of the material that none of the previous adaptations proposed.
You can find “Little Women” on streaming and rental services.